How did you get the Harry Potter job?
Around 1998, I got a call about a commission for some illustration work,
regarding a seven book series. The first book in the Harry Potter series had
already been published but by the time work on the second book had started, the
publisher had decided they wanted a different style of illustration.
Although the books dealt with a fantasy wizarding world, they are also
still set in the context of our world. For this reason, I think the publishers
wanted the illustration to be less cartoon-like, and more realistic, albeit
still imaginative.
That’s where I came in and I completed the illustrations for books two
and three of the Harry Potter series. The brief was quite loose so I could let
my imagination run wild and I particularly enjoyed working on book three, where
the cover illustration shows Harry riding a Hippogriff (a magical creature that
is half eagle, half horse).
Did the Harry Potter work lead to more diverse commissions?
I recently completed a very enjoyable commission from a US based client
whose two children are big Harry Potter fans. She wanted a large scale piece that
showed her children playing quidditch with Harry. I had been away from
commissioned artwork and illustration for nearly three years at the time so it
was quite hard to come back to it but also very exciting to revisit the theme
and explore how I visualised it.
What about your other areas of work?
I enjoy all my disciplines. I’ll always be a secret sculptor – I never
felt like illustration was ever enough for me on its own. In the last three
years I’ve been exploring my sculpture more and working in 3D.
In fact my sculpture work will be part of a prestigious event at
Hatfield House in North London next year, organised and curated by Andrew
Sinclair. Twenty of the best sculptors in the UK have been invited to submit
four pieces for the exhibition. I haven’t started mine yet – that will be this
winter’s work. So I was honoured to be
chosen purely on the basis of the quality of my previous sculptures alone.
I’ve also been teaching a lot and I’ve really developed a passion for
that. Some people say that you’re either an artist or a teacher but I completely
disagree.
Teaching is very inspiring and it informs and improves your work as an
artist in so many ways. You don’t just teach what you know; you also learn from
others, try new things and find new solutions together. This encourages you to
revisit your own work and see it in a new way. I’m certain my artwork has
become stronger by teaching.
Tell us more about your workshops.
One of the things that I try to do through my workshops is to encourage
people to believe that they can draw and that everyone has the ability. I think
there’s a creative soul in all of us, you just need self-belief. There’s a
magic in drawing that many people miss out on because they think of themselves
as a ‘bad’ drawer. From an early age we start to think we can’t draw well and
everything we draw is wrong. There is too much focus on the end result and not
enough on the process. I try to get people beyond that idea of the basic
drawing, where they are seeing the object without thinking about it. The
results can be quite shocking and thrilling and surprising. People see things
in a different way and they also see themselves anew so my workshops are as
much about self-exploration as they are about drawing.
This is what I’ll be discussing, and hopefully demonstrating, during my
workshop and talks at Make it up North. It’s important for people to just do it
and experience it for themselves and then talk about it afterwards. I’m looking
forward to this interaction, which an event like Make it up north is all about.
Make it Up North - York
Our newest event 'Make it Up North' will take place in the centre of York in the historic Guildhall near Betty's Tea Room off St. Helen's Square.
Friday 4th October 2013 - Cliff Wright Day - Harry Potter Illustrator leads workshops for adults and a children's school group. Click the link for more information and to book. Artist Talk - Cliff Wright talks about his life and work as an illustrator. 4pm - 5pm Book here.
Main Show: The wonderful Guildhall packed with selected artists and designer-makers selling their own artworks direct to the public, curated exhibition space, installations, demonstrations, Filmore & Union cafe area, Blood & Chocolate photography exhibition and live music.
Saturday 5th October 2013 10am - 6pm
Main show - plus artist talks and life drawing workshop with the amazing Greg McGee.
Main show - plus artist talks and life drawing workshop with the amazing Greg McGee.
Sunday 6th October 2013 10am - 4pm
Main show - plus artist talks, interactive areas and Brendan Hesmondhalgh one day 'Handbuilding with clay' workshop.
Main show - plus artist talks, interactive areas and Brendan Hesmondhalgh one day 'Handbuilding with clay' workshop.
£4 entry on the door or book for an artist talk and get free entry with that ticket for the day.
Workshops, artist talks and demonstrations.
All the details are here for the Cliff Wright Day and Make it Up North http://www.artmarkets.co.uk
All the details are here for the Cliff Wright Day and Make it Up North http://www.artmarkets.co.uk
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